“Crease” by Demitri Zujew
ЗАЛОМ
Nina Valentinovna is having a day of her life — a local TV crew has come to her school to interview her after a recent win in the "Principal of the Year" district contest. Meanwhile, young Maxim, who is trying to fold an origami figure after class, suddenly gets entangled in a "social interaction" with his peers that he would have liked to avoid. However, the majority forces him to take part and not just as a bystander. While the principal's achievements ring louder every minute, Maxim is getting closer and closer to facing a seemingly impossible choice. The echoes of two stories intertwining ring through the school halls, spilling poisonous consequences into everyone's lives, and shaping adults who continue to propagate this philosophy to the world around them.
















FROM THE DIRECTOR
“The idea for this film was not born out of an event or story or really anything concrete. It was more of a feeling that developed over the years of me just being, living, growing up and
"rubbing" against the rough surfaces of my surroundings. Watching and observing. Seeing and looking away. It was always there, but gradually started to get louder, manifesting itself as a kind of splinter that refused to stay silent.
The moments of indifference and hostile attitudes towards each other. A refusal to anyone except oneself and members of one's family a right and the ability to feel pain and be "alive" tomization and denial of the fact that other people are the same and equal to you. All this time, it was all around me and the older I got, the less I could wrap my head around it.
But when did it start? Such a long time ago that it's hard to tell. And why? People are not born this way, right? At what moment, a child who knows good from evil, a "tabula rasa", starts to get poisoned by all this? Who's responsible? How can the child resist this if he can at all? What does he feel at this very moment and what does it lead to?
This story does not give answers to said questions and, what's more, it does not intend to in such a short time on screen. But I yearned to voice them, to speak them out loud. To place a mirror in front of the people, in front of myself. A mirror which is hard to see, but is at the same time necessary to look at. I wanted us to start searching for answers.
And above all - hope.”
-Demitri Zujew
CREDITS
CAST
Maxim// Platon Kuzmich
Petya// Arseny Inyutin
Igor// Dmitrii Bashniak
Nina Valentinovna// Khelga Filippova
Journalist// Anna Zaykovskaya
Mother// Yulia Konukhova
Teacher// Valentina Nikitina
Cameraman// Oleg Ten
Written and Directed by Demitri Zujew
Produced by Anastasiia Artamonova
Line Producer// Asya Usoltseva
First Assistant Director// Alisa Stepanova
Line Producer’s Assistant// Katya Gordeeva
Kids Acting Coach// Pavel Golubev
Casting by Alla Petelina
Casting assistant// Ekaterina Lobanova
Actor Coordinator// Elizaveta Protsenko
Director of photography// Natalia Butova
B Camera Operators// Vladimir Borisov, Oleg Kolsky
First Assistant Camera// Alexey Baikov, Viktor Saratov
Second Assistant Camera// Alexandr Zarubin
Steadicam Operators// Igor Votintsev, Sergei Tsipis, Maxim Sokol
Steadicam Operator assistant// Liudmila Khabibulina
Production Design by Maria Ivanova
Origami Design by Margarita Plukchi
Production Designer assistant// Mariia Postnikova
Props Assistants// Egor Anopriev, Patrick Agu
Costumes by Maria Ivanova
Hair and Make-up Artists// Yana Kolotusha, Vasilisa Vasilieva
Sound Engineer// Viktor Molotkov
Boom Operator// Svetlana Molotkova
Gaffer// Dmitry Vitkin
Electrics// Dmitrii Parfenopulo, Ataka Avtomoto, Mikhail Banchenko
On-Set Editor// Varvara Aleshkevich
Still Photographers// Dmitry Trubitsin, Dasha Pocherk, Shamil Khairtdinov
Editing by Oleg Korneev, Demitri Zujew
Music by Konstantin Poznekov
Supervising Sound Editor & Re-recording Mixer// Stanislav Paushev
Sound Editor// Julia Shirokova
Foley Artist// Ivan Savelev
Additional Sound Recording// Mikhail Ogonkov, Alena Vasilieva
Color by Company 3
Colorist// Jenny Montgomery
Color Producer// Nick Krasnic
Compositing// Eldar Usmanov
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